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Film Screening: Cinémélodie—Kin Kiesse, Les États-Unis d'Afrique et La Vie est belle

In celebration of Black History Month

  • 6:30 p.m. Tuesday, February 10

  • Julius Lewis Auditorium (54 W Chicago Ave)

  • In French with English subtitles

  • Free for Members & Students (w/.edu email or student ID) · $5 for GSFC Members (w/member card) · $15 for Non-Members

Description

Join us for the next installment in our 2025/2026 music-themed film series, Cinémélodie: a screening of three films from the African continent, in celebration of Mois de l’histoire des Noirs (Black History Month).

This triple feature begins with a screening of Congolese filmmaker Mwezé Ngangura’s 1982 documentary short Kin Kiesse, followed by Québécois film producer Yanick Létrouneau 2011 medium-length documentary Les États-Unis d’Afrique. The program will wrap with Ngangura’s 1988 feature-length comedie La Vie est belle.

Guests will enjoy a pre-reception featuring a complimentary glass of Louis Jadot Bourgogne, as well as the chance to win a $50 gift certificate to the Sofitel Magnificent Mile’strès chic Le Bar.

Doors at 6:00 p.m. for wine reception. Program at 6:30. Please enter via 54 W Chicago Ave. Non-alcoholic options will be available.

About the Films

Kin Kiesse (Mwezé Ngangura, 1982, 28 minutes)—Ngangura’s documentary depicts “Kin” (Kinshasa), the capital of Zaire and of paradox and excess, in the early 80s. Guided by Congolese painter Chérie Samba, the audience discovers the Kin of night clubs, high-rise buildings, bicycle-taxis, shoe shiners, and hairdressers, and, above all, the Kin of music: where all genres rub elbows, from beer party brass bands to rumba to traditional dances.

Les États-Unis d’Afrique (Yanick Létrouneau, 2011, 28)—Létrouneau’s medium-length documentary follows the quest of African hip-hop pioneer Didier Awadi in the creation of an album in hommage to the Black Consciousness Movement leaders who fought for the ideal of a united and independent Africa. This epic musical and political journey leads him to over 40 countries, where he collaborates with activist hip-hop artists such as Smockey (Burkina Faso), M1 of Dead Prez (United States), and ZuluBoy (South Africa).

La Vie est belle (Mwezé Ngangura, 1988, 83 minutes)—Ngangura’s feature length comedy follows Karou, a young Zairean farmer who dreams of making music and earning a living doing any job he can find. He travels to Kinshasa, the capital, with his cousin Mongali. During the journey, Kourou falls in love with a young woman named Kabibi. Finding work as a servant, he doesn’t yet know that his boss, Nvouandou, is also captivated by Kabibi. The boss will do anything to prevent Kabibi and Kourou from being together…

About the Directors

Photo by CILO/Gamma-Rapho via Getty Images

Mwezé Ngangura (born 7 October 1950) is a film director from the Democratic Republic of the Congo (DRC) based in Belgium. Considered a pioneer of Congolese filmmaking, he is known for the classic La Vie est Belle (1987), the first feature film made in the DRC. BHe is founder of production company Soleil Films and Films du Sud, an organization that promotes intercultural communication and North-South audiovisuelle cooperation.

RDVCanada.ca

Yanick Létourneau is a Canadian film producer and co-founder and head of Peripheria Productions. He is most noted as a producer of the documentary film Gulîstan, Land of Roses, which was a Canadian Screen Award nominee for Best Feature Length Documentary at the 5th Canadian Screen Awards in 2017, and the narrative feature film Night of the Kings (Le Nuit des rois), which was a CSA nominee for Best Picture at the 10th Canadian Screen Awards in 2022.

Getting Here

The Alliance Franaise de Chicago is one block from the CTA Red line stop at Chicago Ave. Best bus routes are the 22 on Clark and the 66 on Chicago Ave. A Divvy station is located in front of the 54 W Chicago Ave entrance.

Parking Information

$12 for 12 hours at InterPark at 100 W Chestnut St. Validation is available at reception.

Please be advised that students, members, and attendees at cultural events or programs may be photographed, and these images may be used for marketing purposes.

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