Trintignant & Co: The Film Series • Un Homme et une Femme / A Man and a Woman (1966, Claude Lelouch)

“The notoriously schmaltzy but still undeniably eye-catching film in which Aimée and Trintignant conduct an intense and often unhappy affair against an elegant, colorful background.” - Time Out A glass of Bourgogne Louis Jadot, our favorite French wine, included.

Trintignant & Co: The Film Series • Z (1969, Costa-Gavras)

“In the United States, this Algerian-French coproduction sparked a sensation, not just relaying the European political crisis but perfectly capturing a global mood of apprehension at a moment when America was at its most vulnerable, our domestic security seemingly breached by the consecutive concussive shocks of our own political assassinations (John F.

Trintignant & Co: The Film Series • Ma nuit chez Maud / My Night at Maud's (1969, Eric Rohmer)

“In My Night at Maud’s, the brilliantly accomplished centerpiece of the Six Moral Tales series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of 1960s cinema. After spotting the delicate Françoise at Mass, he vows to make her his wife, although when he spends an unplanned night at the apartment of the bold divorcée Maud, his rigid standards are challenged.

Trintignant & Co: The Film Series • Le Conformiste / The Conformist (1970, BERTOLUCCI)

“Generally understood to be an unshakably influential film and a keystone of the canon, The Conformist represents Bernardo Bertolucci’s first fully successful coordinated attack on the retinas. The film presents one stunning image after another; it takes about 45 minutes to even start noticing much else on first viewing.

Trintignant & Co: The Film Series • Rouge / Three Colors: Red (1994, KIESLOWSKI)

“Red,” the beautifully spun and splendidly acted tale of a young model’s decisive encounter with a retired judge, is another deft, deeply affecting variation on Krzysztof Kieslowski’s recurring theme that people are interconnected in ways they can barely fathom.

Trintignant & Co: The Film Series • Amour (2012, Mickael Haneke)

“All of which is to say: bring hankies. This is a film that will make you weep not only because life ends but also because it blooms.” - Manohla Dargis for The New York Times